The Shape of Water
The Shape of Water (2017)
Critic Consensus: The Shape of Water finds Guillermo del Toro at his visually distinctive best -- and matched by an emotionally absorbing story brought to life by a stellar Sally Hawkins performance.
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as Elisa Esposito
as Amphibian Man
as Robert Hoffstetler
as Elaine Strickland
as General Hoyt
as Brewster Fuller
as Mr. Arzoumanian
as Pie Guy
as Burly Russian
as Military Policeman
as Sally (Secretary)
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Critic Reviews for The Shape of Water
The movie's worldview is as easy to like as the protagonist and her friends, but del Toro lays it on so thick that there's no room for counterargument or even independent thought.
"The Shape of Water" is director Guillermo del Toro's finest film, a lovely, empathetic tribute to Old Hollywood, monster movies, outsiders and love that could only come from the mind of the visionary filmmaker.
The more I try to find some kind of justifiable meaning and relevance, the more I find The Shape of Water a loopy, lunkheaded load of drivel.
The visual stylist spins an adult fairy tale that takes elements from "Beauty and the Beast" and recasts them in an alternative universe that's a wonderfully rendered twist on our own.
"The Shape of Water" is one of the best films of the year.
Audience Reviews for The Shape of Water
The world del Toro created was both visually appealing and unique, but the story of girl meets fish-boy did not resonate with me the way it did with the Academy. Score was fantastic.
While the set-up, production design, acting and directing is flawless I found myself a tad underwhelmed by the film after so much praise. It's the story. Once you heard the premise you can pretty much figure out the entire plot. That's a little disappointing for such an unusual and ambitious project. A lot of Del Toro's quirky trademarks are there, but it's a surprisingly mainstream film, if bestiality doesn't bother you.
If this is not the 2017 Best Picture winner at the Oscars then I don't know what. Del Toro, writer and director, chooses to keep his leads silent, thereby broadening their appeal in this story about loneliness and separation, and the joy of discovering that that is not exactly so. Like lasagna, there are many levels to this, kudos to cinema, music, dance, photography, to humanity, to love ... it is a tour de force of a work, meant to be experienced more than simply just once. And Hawkins is a revelation.
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