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Critics Consensus: The Possession of Hannah Grace feints at real horror just often enough to offer hints of the movie it should have been -- and further frustrate viewers seeking a good scare.
Critic Consensus: The Possession of Hannah Grace feints at real horror just often enough to offer hints of the movie it should have been -- and further frustrate viewers seeking a good scare.
The movie doesn't seem to be playing near you.
All Critics (44) | Top Critics (7) | Fresh (6) | Rotten (38)
There are a few jumps and bumps, but there's no real sense of dread, unease or questioning. We simply watch the events unfold with a full understanding of what's going on.
Hannah Graceis barely 85 minutes, with an ending so abrupt that you'll wonder whether you've missed something. (Spoiler alert: you haven't.)
Most of the movie's creepy overtures are bluntly obvious-menacing thumps, rather than barely perceptible twitches.
A dreary horror thriller, without any of those pesky thrills.
Hannah Grace never overcomes the compendium of clichés in Brian Sieve's screenplay, which resembles a greatest hits of demonic possession films.
She's possessed, although she's lifeless. Sort of like the movie.
I wasn't really on edge or creeped out.
Filmmaker Diederik Van Rooijen kicks The Possession of Hannah Grace off with a striking opening stretch that eventually subverts one's expectations...
What sets this genre tale apart from its peers is a penchant for not going in obvious directions; even the ending hints more at possibility than simply giving away the farm.
[It's] just totally inept on a bare-bones cinematic level.
There isn't much more to say. They try early on, a little bit...then they just give up and make a movie where someone walks around in a hallway.
Instead of giving us a bloodbath, we are given an atmospheric piece and this toning down of horror doesn't work in the film's favour.
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