Over the Limit (2018)
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By the end of the movie's brief 74 minutes, this resilient young woman seems shockingly untraumatized; the audience might not be so lucky.
With her first feature-length documentary Over the Limit, Polish writer-director Marta Prus does for rhythmic gymnastics what Damien Chazelle did for drumming in Whiplash.
Just watching it induces veritable stomach cramps, though it's impossible to turn away from the film's whipcrack construction and expert manipulation of perspective.
The strength of Prus's film comes from her determined refusal to mine Mamun's inescapably fraught situation for melodramatic effect.
Over the Limit is composed of minutely observed moments that Marta Prus has assembled into an affecting narrative.
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