The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Though the film will have mass appeal, and audiences will faun over these familiar characters, its bloated makeup ultimately makes Mary Poppins Returns into the glitzy, bombastic, hollow mess that Travers always feared.
Rob Marshall, who has had notable successes in bringing musicals to the big screen, has directed this in a perfunctory fashion, seemingly more interested in staying within the footprint of the original and not coloring outside the lines.
Because this version is so indebted to the nostalgia associated with the original, to the point where it literally borrows its structure, I can't fathom why I'd want to return to it when the 1964 film is right there.
Mary Poppins Returns marks Disney's latest attempt to coax out our inner child only then to rob them of their lunch money. But for all its missteps and downfalls the film is watchable, listenable, just not recommendable.