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All Critics (87)
| Top Critics (32)
| Fresh (73)
| Rotten (14)
| DVD (2)
Chuck & Buck is a dark misfit of a movie that's sweet, scary, thought-provoking and off-putting all in one package. It's a bold, original achievement.
Skirts stalker cliches and grown-up-kid-in-a-man's-body caricatures.
Do you like the clammy as opposed to the scary? Do you like dread rather than drama, anguish and emotional coagulation rather than screamfests?
Chuck & Buck might be the most perversely agreeable stalker picture ever made.
That Chuck & Buck holds attention despite -- or partly due to -- its murky, troubling central conceit can be credited to execution that's stealthy and low-key throughout.
Possibly the most daring and honest drama about sexuality I've ever seen.
The film is pretty negligible, pointless, almost an exercise.
Creepy, funny, yet surprisingly affecting, Miguel Arteta's darkly comic drama pulls off a remarkable balancing act.
Of all the films to premiere at Sundance 2000, there is one movie that best represented what indie film is supposed to be.
Chuck & Buck is a film which you can't quite get a fix on: it's a movie about child sex which is also as airy and sweetly likeable as anything you'll see this year.
Thought-provoking jet-black comedy that may not be for all tastes, but is well-worth seeking out.
This is a thoughtful, difficult film. See it if you are ready to be challenged.
It works largely because the central conflict is so fascinating. One man refuses to let go of the past and the other refuses to confront it. It makes for a unique and oddly moving film, especially when the two title characters are forced to find a way to reconcile their opposing perceptions.
Mike White's "Buck" character will someday rank amongst one of the most unforgettable cinematic stalkers. White wrote the film, which was directed by Miguel Arteta, and it shows that White knows what makes movie stalkers so creepy, endearing, and ominous; innocence. White plays the stalker of the film, a man who is unable to grow up. He's able to bring out different emotions from the audience, taking us on a roller-coaster ride that doesn't care much for slowing down.
"Chuck & Buck" is the kind of film that most of us don't necessarily love, but it leaves us in a good mood regardless. It's such a deeply unsettling, sometimes even disturbing drama that will divide audiences for its creepiness and its characters, who are all likable, or at least by the end of the film, they are. I enjoyed the story here. I also admired Arteta's direction. He seems to be the kind of director who would understand the humanity, drama, and humor contained within Mike White's screenplay, although I do believe that White deserves most of the credit for the mostly positive outcome of the film.
Buck (White) is a lonely, timid, and innocent man in his late 20's, coping with the recent loss of his dear mother. His father had left his life long ago, and Buck doesn't have anyone to turn to. He invites an old friend who he calls Chuck (Chris Weitz) to the funeral party, and to his surprise, Chuck attends. Unlike Buck, Chuck has grown up, he is successful, and he has met the love of his life. Buck is not accepting. Buck doesn't want the party to be their last time to see each-other again. So this is why he's overjoyed when Chuck offers him to visit him and his girlfriend sometime in Los Angeles. He takes them up on this offer.
Buck has a lot of money to spend, but he settles for a motel. Buck is like a child, unable to let go of childhood toys and objects, so he sets them down in the room and feels at home. He waits a while, and then goes to meet his buddy Chuck. Since Chuck is a busy man, Buck entertains himself by writing a play, which he intends on premiering at a local theater, managed by Beverly (Lupe Ontiveros), who takes an unexpected liking to him. The play is inspired by the events that lead to "Chuck" and Buck's relationship as friends, which began with a onetime summer camp. What happened at camp is heavily implied when the film is nearing its end, but I won't let the secret get out that easily.
Mike White is a very gifted writer. I sympathized for his creepy, sentimental Buck; who is an obsessive stalker of the Chuck character. The man wrote the story so that we could identify and care about Buck and only Buck. Thus, White's performance, as an actor, playing the character, is also quite wonderful. Weitz is somewhat unlikable when we're first introduced to his annoyance and nigh hatred for Buck, although this is the point. Lupe Ontiveros is also wonderful as the theater manager, who insists on being Buck's only friend. I appreciated the relationships between each character because among other things, they felt real.
"Chuck & Buck" is not a great film, but it is an undeniably good one. There are those who will love it and form a sort of cultish circle around its existence, and I can't really say that the film deserves any more or any less. There was a lot that I really liked about the movie, to the point where flaws are out of the question. I do not know why this well-written, well-directed effort is NOT perfect, because it resonates fairly well, and I was touched in the end. Perhaps it has something to do with my admiration for unforgettable shots, usage of a great soundtrack, and the like. "Chuck & Buck" is not an art film, and it does not necessarily try to be great movie, so as a film that wins as a piece of entertainment and as a piece of human insight, it's satisfying and definitely worth seeing.
For a very gloom subject, the movie knows how to be funny when it needs to. Mike White's performance really makes this a stand-out as he expertly portrays his unsettling man-child character and really makes us wonder about how we sometimes cling too much to our past and how past actions can affect or disturb us, yet it also has a touch of hope and it ends up being a rather positive movie about growing up and changing. I was really only bothered by how it seemed there was no end in sight at first, but I was glad how they finished the story.
Odd, unsettling comedy-drama about a man who continues to have an obsession over his childhood friend. Writer and star, Mike White, is unnerving as Buck, a childlike, lollipop-sucking, 27 year old stalker that you won't soon forget. At once, humorous, tender, scary and pathetic. The film masterfully juggles all of these tones and it's difficult to categorize. Unique and memorable
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