Neil Young


Neil Young
Neil Young's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Hollywood Reporter indieWire Sight and Sound

movie Reviews Only

T-Meter Title | Year Review
No Score Yet Waiting for the Carnival (2019) The film is a first-person travelogue in which the director - with disarming openness and evident fondness for his hard-working but underpaid subjects - retraces the steps of his youth. - Hollywood Reporter EDIT
Read More | Posted Feb 19, 2019
No Score Yet Earth (Erde) (2019) Quietly urgent dispatches from a planet under siege. - Hollywood Reporter EDIT
Read More | Posted Feb 19, 2019
80% I Was at Home, But (Ich war zuhause, aber) (2019) A complex, challenging but brilliant work. - Hollywood Reporter EDIT
Read More | Posted Feb 13, 2019
80% Who You Think I Am (Celle que vous croyez) (2019) Catfish a la Francaise: Conventional-looking dish yields surprisingly sharp flavors. - Hollywood Reporter EDIT
Read More | Posted Feb 12, 2019
40% God Exists, Her Name Is Petrunija (2019) Religious-themed satire is unlikely to gain many converts. - Hollywood Reporter EDIT
Read More | Posted Feb 11, 2019
No Score Yet Tremors (Temblores) (2019) Places strong visuals, performances and atmosphere at the service of a naggingly patchy screenplay. - Hollywood Reporter EDIT
Read More | Posted Feb 8, 2019
No Score Yet While We Are Here (Enquanto estamos aqui) (2019) An entrancing, original miniature. - Hollywood Reporter EDIT
Read More | Posted Feb 8, 2019
100% Fourteen (2019) Sensitive study of emotional turmoil, close-up and from a distance. - Hollywood Reporter EDIT
Read More | Posted Feb 8, 2019
No Score Yet Present.Perfect. (2019) Shengze makes no attempt to organize her material into any kind of story framework. Instead she offers myriad glimpses into dozens of ordinary lives across the world's most populous nation. It's a rich pageant of the quotidian. - Hollywood Reporter EDIT
Read More | Posted Feb 7, 2019
No Score Yet Looking for Life (Chèche Lavi) (2019) Ellison manages to find beauty in the quotidian - such as the pink glow of storefront neon illuminating a casual chat. - Hollywood Reporter EDIT
Read More | Posted Feb 6, 2019
100% Beats (2019) [A]n infectiously enjoyable slice of knockabout nostalgia that wears its Trainspotting heritage proudly on its rough-edged tartan sleeve. - Hollywood Reporter EDIT
Read More | Posted Feb 5, 2019
No Score Yet Sons of Denmark (Danmarks sønner) (2019) [A]n ambitious, provocative, politically charged thriller from Danish feature-debutant Ulaa Salim. - Hollywood Reporter EDIT
Read More | Posted Feb 1, 2019
No Score Yet Take Me Somewhere Nice (2019) Offbeat journey to a quietly pleasing destination. - Hollywood Reporter EDIT
Read More | Posted Jan 28, 2019
No Score Yet Absence of Me (Ausencia de mi) (2018) [A] somberly affecting and informative chronicle of creativity and defiance... - Hollywood Reporter EDIT
Read More | Posted Dec 7, 2018
No Score Yet The Border Fence (Die bauliche Maßnahme) (2018) A sensitive examination of the tricky frontiers between rhetoric and reality. - Hollywood Reporter EDIT
Read More | Posted Dec 7, 2018
No Score Yet Buddy (2018) A tender tribute to tail-wagging treasures. - Hollywood Reporter EDIT
Read More | Posted Dec 6, 2018
No Score Yet Los Reyes (2018) Low on incidents but high on atmosphere and unassuming charm. - Hollywood Reporter EDIT
Read More | Posted Dec 5, 2018
No Score Yet Don't Be a Dick About It (2018) An affable, intimate and unassuming little picture... - Hollywood Reporter EDIT
Read More | Posted Dec 5, 2018
No Score Yet Reason (2018) As Pauline Kael remarked about the recently deceased Bernardo Bertolucci's 1900, Reason (Vivek) makes most other current documentaries "look like something you hold up on the end of a toothpick." - Hollywood Reporter EDIT
Read More | Posted Dec 5, 2018
No Score Yet Hamada (2018) There have been dozens of refugee-camp documentaries down the decades, but never anything quite like Eloy Dominguez Seren's disarmingly breezy Hamada. - Hollywood Reporter EDIT
Read More | Posted Dec 4, 2018
No Score Yet The Most Beautiful Country in the World (Das schönste Land der Welt) (2018) A refreshingly low-key addition to the burgeoning ranks of migrants-in-Europe movies. - Hollywood Reporter EDIT
Read More | Posted Nov 21, 2018
100% The Third Wife (2018) An audience-friendly affair which deals with harrowing subject-matter in restrained, tactful and aesthetically entrancing style... - Hollywood Reporter EDIT
Read More | Posted Oct 5, 2018
No Score Yet Immersed Family (Familia sumergida) (2018) A Family Submerged isn't only a showcase for Moran; indeed, the biggest impact is arguably made by a woman who never appears in the picture, cinematographer Helene Louvart. - Hollywood Reporter EDIT
Read More | Posted Oct 4, 2018
No Score Yet Jesus (Boku wa Iesusama ga Kirai) (2018) Even at 76 minutes Okuyama's debut feels like a padded-out short... - Hollywood Reporter EDIT
Read More | Posted Oct 3, 2018
No Score Yet Neon Heart (2018) An uneven but overall flavorsome debut from Danish writer-director Laurits Flensted-Jensen. - Hollywood Reporter EDIT
Read More | Posted Oct 3, 2018
No Score Yet Meteorites (Les météorites) (2018) One of the year's more promising French debuts. - Hollywood Reporter EDIT
Read More | Posted Oct 1, 2018
No Score Yet Figures (Figuras) (2018) This black-and-white study of human endurance, communication and compassion manages to be both austere and moving. - Hollywood Reporter EDIT
Read More | Posted Oct 1, 2018
No Score Yet Love Express: The Disappearance of Walerian Borowczyk (2018) Properly analyzing what made "Boro" tick, and explaining how one of most acclaimed directors of his generation ended up fizzling out so messily in the 1980s, ultimately proves beyond Mikurda and collaborators. - Hollywood Reporter EDIT
Read More | Posted Sep 21, 2018
No Score Yet King of Beasts (2019) A work of admirable journalistic seriousness, one that goes about its business with a clear-eyed precision... - Hollywood Reporter EDIT
Read More | Posted Sep 21, 2018
No Score Yet Behold My Heart (2018) Leonard and his co-writer Rebecca Lowman deserve credit for delivering a straightforward and quietly affecting picture, intelligent and mature in its delineation of character and the unpredictable development of its narrative. - Hollywood Reporter EDIT
Read More | Posted Sep 20, 2018
91% All Square (2018) Handled with unobtrusive professionalism in all departments, the film benefits greatly from Brady's novelistic attention to character and milieu. - Hollywood Reporter EDIT
Read More | Posted Sep 20, 2018
83% Ladies in Black (2018) Ladies in Black quietly but effectively points out the seldom-stressed positives of immigration and integration, and thus deserves attention far beyond its own native shores. - Hollywood Reporter EDIT
Read More | Posted Sep 14, 2018
50% In Like Flynn (2019) A disgracefully entertaining romp that packs an unexpected emotional wallop. - Hollywood Reporter EDIT
Read More | Posted Sep 4, 2018
80% Acute Misfortune (2019) An artist biopic that swaggeringly busts the limitations of the well-worn subgenre, Acute Misfortune is one of the year's most striking and accomplished directorial debuts. - Hollywood Reporter EDIT
Read More | Posted Aug 17, 2018
No Score Yet Celeste (2018) As an old-fashioned star vehicle for Mitchell, Celeste passes muster, with few of her (human) co-stars making much impact in her slender but imposing shadow... - Hollywood Reporter EDIT
Read More | Posted Aug 15, 2018
No Score Yet La Once (2014) Tea Time is relatively "epic" in chronological scope, if such a term can sensibly be applied to such an intimate affair. - Hollywood Reporter EDIT
Read More | Posted Aug 7, 2018
86% Possum (2018) Possum ultimately has to stand or fall on its own merits, and at heart is a serious and dark journey into the labyrinths of cruelty and abuse. - Hollywood Reporter EDIT
Read More | Posted Jul 9, 2018
No Score Yet Meeting Jim (2018) It's to the credit of debutante director Ece Ger that the results so delightfully transcend mere hagiography. - Hollywood Reporter EDIT
Read More | Posted Jul 9, 2018
94% Calibre (2018) Calibre [has] a pungent, intriguing layer of ambiguity that only sharpens the acute pain of the awful events so skillfully depicted. - Hollywood Reporter EDIT
Read More | Posted Jun 29, 2018
No Score Yet Món petit (Little World) (2012) Heartwarming but without a scintilla of mawkishness, it's a straightforwardly effective introduction to an unforgettable individual and his disarmingly persuasive attitudes to life. - Hollywood Reporter EDIT
Read More | Posted Jun 8, 2018
90% Winter Brothers (2018) A confidently handled, promisingly edgy feature debut...Winter Brothers dribbles into obfuscation its closing stages but has already confirmed Palmason and company as names to watch. - Hollywood Reporter EDIT
Read More | Posted May 14, 2018
100% The Omission (La omisión) (2018) A claustrophobic character-study of a cash-strapped, resourceful young woman which works best as a showcase for lead Sofia Brito's offbeat charisma. - Hollywood Reporter EDIT
Read More | Posted Mar 3, 2018
No Score Yet Land (2018) A plod through enervatingly arid cinematic terrain. - Hollywood Reporter EDIT
Read More | Posted Mar 2, 2018
100% Ága (2018) There are enough moments of beauty, charm and dry humor along the way to maintain engagement and interest. - Hollywood Reporter EDIT
Read More | Posted Feb 28, 2018
No Score Yet Inland Sea (2018) Primarily a work of simple and unapologetic humanism, happily in love with people ("We're as we are," one remarks). - Hollywood Reporter EDIT
Read More | Posted Feb 28, 2018
No Score Yet The Big House (2018) The Big House works both as an observational chronicle of one particular stadium - and the myriad people who come there for work and play - and as an anthropological snapshot of the country ... - Hollywood Reporter EDIT
Read More | Posted Feb 27, 2018
88% Lemonade (2018) An engaging and harrowingly topical drama. - Hollywood Reporter EDIT
Read More | Posted Feb 26, 2018
No Score Yet Tower. A Bright Day. (Wieza. Jasny dzien) (2017) A work which shows occasional flashes of talent on various fronts but is ultimately a hollow rehash of well-worn stylistic tropes. - Hollywood Reporter EDIT
Read More | Posted Feb 20, 2018
100% Infinite Football (2018) Infinite Football has moments of nicely deadpan humor and some deft little touches of insight along the way courtesy of Porumboiu's offbeat protagonist; but major league it certainly is not. - Hollywood Reporter EDIT
Read More | Posted Feb 17, 2018
91% Are We Not Cats (2018) And while very much a film of two unequal halves, there's more than enough cinematic chutzpah on display here, especially in the early sections, to confirm the Floridian writer-director as a name to watch. - Hollywood Reporter EDIT
Read More | Posted Jan 10, 2018